JAMES CAMERON'S TITANIC
Dublin Core
Title
JAMES CAMERON'S TITANIC
Subject
James Cameron;Titanic
Description
James Cameron's Titanic by Ed W. Marsh, reprinted by Boxtree in 1998.It contains a wealth of behind-the-scenes photographs, design drawings, and script manuscripts of the film's historical background,James Cameron's production philosophy, the restoration of key historical scenes, the use of groundbreaking technology, and reflections on history, revealing the behind-the-scenes process of the film's creation from a lesser-known point of view. It tells the story of how director James Cameron used his strong leadership to recreate the tragic sinking of the Titanic, the world's most luxurious passenger liner at the time, on its first voyage.
the historical background of the film.
The story takes place in 1912, an era portrayed as the height of the Renaissance spirit, characterised by technological progress and optimism. It is a time when the Wright Brothers' aeroplanes made Leonardo da Vinci's dream a reality and the memory of the American Civil War has faded to make way for a new, hopeful generation. Cameron's film aims to recreate the opulence and optimism of 1912 with extremely detailed attention, with every department from architecture to costuming involved in this actual time travel. However, the narrative also incorporates a contemporary perspective that emphasises the arrogant attitudes that led to the decline of the era. In Cameron's portrayal, the Titanic becomes one of the most potent symbols of the twentieth century, perhaps even more profound than the world wars or the atomic bomb. For the ship's destruction was not only caused by the impact of an iceberg ...... it was also caused by a state of mind. This view suggests that the tragedy of the Titanic was as much the result of human folly as it was the force of nature that made it an enduring symbol of the consequences of human arrogance ref.
James cameron's production philosophy
James Cameron's description of his production concept for Titanic emphasises the importance of a realistic recreation of the 1912 Titanic and its period setting. The challenges Cameron encountered included how to create realistic night scenes in photography and how to recreate the Titanic using advanced techniques and practical constructions in the production of the film. The production of the film involved huge physical builds, both outside and inside the ship. Titanic builders Harland & Wolff opened up their private archives to the crew, sharing blueprints previously thought to be lost. For the ship's interior, production designer Peter Lamont's team searched for artefacts from the era. The novelty of the ship meant that every prop had to be made from scratch. Craftsmen from Mexico and England carved ornate panelling and plasterwork based on the Titanic's original design.(Marsh 21) Carpets, upholstery, individual pieces of furniture, lamps, chairs, cutlery and crockery, each bearing the White Star Line insignia, were all items recreated from the original design. (Marsh 35)Cameron hired two Titanic historians, Don Lynch and Ken Marshall, to verify the historical details. The authors added actual photographs taken during the construction of the ship, costume and makeup design, set construction, and behind-the-scenes filming of these sessions, reflecting Cameron's rigorous attention to historical detail. These historical details portray the titanic as a structured social symbol that reflects the separation and conflict between different social classes. Director James Cameron shows the heroism and class differences in the Titanic tragedy through his film. The fate of the first and third class passengers reflects the class system of the society at that time. Through the love story of Jack and Rose, Cameron demonstrates the emotional bond that transcends class limitations and explores the interaction between third class passengers and high class passengers. The images compare and contrast the differences in clothing, food, housing and habits between first and third class passengers, reflecting the vast class differences.
the restoration of key historical scenes and use of groundbreaking technology
In the film Titanic about the production of the shipwreck scene, Cameron criticised previous Titanic films for portraying the passenger ship as gliding gracefully as it plunged underwater for the last time. He wanted to portray it as a horribly chaotic event, which it was. Director James Cameron used visual effects and actors to show the desperation and fear of the passengers as the ship sank. The technical tools included the use of models, computer-controlled hydraulics, digital technology and innovations in special effects. The digital technology and models create a realistic marine environment, while the use of special effects enhances the urgency of the scenes and strengthens the artistic and historical accuracy of the filmmaking. He even requested that the model of the tugboat be scaled down by 10 per cent in order to make the ship appear more majestic. The production team used advanced technology in the digital field to create lifelike CG characters and scenes using green screen and motion capture systems. They meticulously recorded various movements to digitally recreate human behaviours such as walking up a ramp and waving goodbye. Through these techniques, the film succeeds in immersing the audience in the final moments of the Titanic and feels a strong emotional impact. In these scenes, passengers go through the stages of death: fear, denial, anger, depression and acceptance. The film shows the full spectrum of human behaviour, along with the passionate story of two young people falling in love. The passengers struggle for survival, some jumping into the cold, biting waters, others trapped on the ship. Cameron also recreates the psychological state of the survivors, who witness the tragedy around them from the lifeboats but are unable to act for fear of drowning. All of these scenes profoundly depict the human and historical dimensions of the Titanic tragedy. Through memories inspired by images of the sinking on the television screen, Rose, a 101 year old woman, recalls her experiences on the night the Titanic sank, bringing to life a secret that had been kept for 84 years.
reflections on history
The book ends with the author's reflections on the history of the Titanic and its recreation in the film. 31 March 1909, workers began laying the keel of the "unsinkable ship", as it was called. 88 years later, on the same day, workers were dismantling the last traces of her "twin" in the film,scrapping her parts as steel. As the author drives back to Los Angeles, past the San Onofre Nuclear Power Plant on the coastline of the world's earthquake capital, he wonders if this old ship has taught us one last lesson. The writer quotes a deleted line of dialogue from Cameron's screenplay in which the elder Ross warns Bullock that another iceberg awaits. Cameron has said that he sometimes wishes he lived in a world where the Titanic never became a famous ship. Nonetheless, it meant that they would never have been able to come together to create something so lavish, grand. Over the course of six months, thousands of artists and craftsmen resurrected the rusting colossus from its cold grave and made it new, with fragments of 1912 floating in reality like icebergs in the North Atlantic. How would they describe what they saw? It is a time of constant wonder ......
Almar Haflidason of the BBC wrote that "the critical knives were out long before James Cameron's Titanic was complete. spiralling costs that led to it Spiralling costs that led to it becoming the most expensive motion picture of the 20th Century, and a cast without any big stars seemed to doom the film before release. He added that "the sinking of the great ship is no secret, yet for many exceeded expectations in sheer scale and tragedy. "("Titanic (1997) Review")
The initially predicted failure, Titanic,achieved tremendous success at the box office. Ed W. Marsh documented the true story behind the success of 'Titanic,' leaving us with invaluable archival materials. These records showcase how James Cameron used groundbreaking film production techniques to ingeniously blend history with personal stories. Through the love story of the film's protagonists, audiences could deeply feel the emotional weight of historical events.The film successfully showcased the immense potential of big-budget and high-cost productions, and set the trend for historical and disaster films.
Works Cited
Haflidason, Almar. “BBC - Films - Review - Titanic.” Www.bbc.co.uk, 19 Dec. 2000, www.bbc.co.uk/films/2000/12/19/titanic_1997_review.shtml. Accessed 14 Dec. 2023.
Kirkland, Douglas, et al. “James Cameron’s Titanic.” Internet Archive, New York : HarperPerennial, 1997, archive.org/details/jamescameronstit00kirk. Accessed 15 Dec. 2023.
the historical background of the film.
The story takes place in 1912, an era portrayed as the height of the Renaissance spirit, characterised by technological progress and optimism. It is a time when the Wright Brothers' aeroplanes made Leonardo da Vinci's dream a reality and the memory of the American Civil War has faded to make way for a new, hopeful generation. Cameron's film aims to recreate the opulence and optimism of 1912 with extremely detailed attention, with every department from architecture to costuming involved in this actual time travel. However, the narrative also incorporates a contemporary perspective that emphasises the arrogant attitudes that led to the decline of the era. In Cameron's portrayal, the Titanic becomes one of the most potent symbols of the twentieth century, perhaps even more profound than the world wars or the atomic bomb. For the ship's destruction was not only caused by the impact of an iceberg ...... it was also caused by a state of mind. This view suggests that the tragedy of the Titanic was as much the result of human folly as it was the force of nature that made it an enduring symbol of the consequences of human arrogance ref.
James cameron's production philosophy
James Cameron's description of his production concept for Titanic emphasises the importance of a realistic recreation of the 1912 Titanic and its period setting. The challenges Cameron encountered included how to create realistic night scenes in photography and how to recreate the Titanic using advanced techniques and practical constructions in the production of the film. The production of the film involved huge physical builds, both outside and inside the ship. Titanic builders Harland & Wolff opened up their private archives to the crew, sharing blueprints previously thought to be lost. For the ship's interior, production designer Peter Lamont's team searched for artefacts from the era. The novelty of the ship meant that every prop had to be made from scratch. Craftsmen from Mexico and England carved ornate panelling and plasterwork based on the Titanic's original design.(Marsh 21) Carpets, upholstery, individual pieces of furniture, lamps, chairs, cutlery and crockery, each bearing the White Star Line insignia, were all items recreated from the original design. (Marsh 35)Cameron hired two Titanic historians, Don Lynch and Ken Marshall, to verify the historical details. The authors added actual photographs taken during the construction of the ship, costume and makeup design, set construction, and behind-the-scenes filming of these sessions, reflecting Cameron's rigorous attention to historical detail. These historical details portray the titanic as a structured social symbol that reflects the separation and conflict between different social classes. Director James Cameron shows the heroism and class differences in the Titanic tragedy through his film. The fate of the first and third class passengers reflects the class system of the society at that time. Through the love story of Jack and Rose, Cameron demonstrates the emotional bond that transcends class limitations and explores the interaction between third class passengers and high class passengers. The images compare and contrast the differences in clothing, food, housing and habits between first and third class passengers, reflecting the vast class differences.
the restoration of key historical scenes and use of groundbreaking technology
In the film Titanic about the production of the shipwreck scene, Cameron criticised previous Titanic films for portraying the passenger ship as gliding gracefully as it plunged underwater for the last time. He wanted to portray it as a horribly chaotic event, which it was. Director James Cameron used visual effects and actors to show the desperation and fear of the passengers as the ship sank. The technical tools included the use of models, computer-controlled hydraulics, digital technology and innovations in special effects. The digital technology and models create a realistic marine environment, while the use of special effects enhances the urgency of the scenes and strengthens the artistic and historical accuracy of the filmmaking. He even requested that the model of the tugboat be scaled down by 10 per cent in order to make the ship appear more majestic. The production team used advanced technology in the digital field to create lifelike CG characters and scenes using green screen and motion capture systems. They meticulously recorded various movements to digitally recreate human behaviours such as walking up a ramp and waving goodbye. Through these techniques, the film succeeds in immersing the audience in the final moments of the Titanic and feels a strong emotional impact. In these scenes, passengers go through the stages of death: fear, denial, anger, depression and acceptance. The film shows the full spectrum of human behaviour, along with the passionate story of two young people falling in love. The passengers struggle for survival, some jumping into the cold, biting waters, others trapped on the ship. Cameron also recreates the psychological state of the survivors, who witness the tragedy around them from the lifeboats but are unable to act for fear of drowning. All of these scenes profoundly depict the human and historical dimensions of the Titanic tragedy. Through memories inspired by images of the sinking on the television screen, Rose, a 101 year old woman, recalls her experiences on the night the Titanic sank, bringing to life a secret that had been kept for 84 years.
reflections on history
The book ends with the author's reflections on the history of the Titanic and its recreation in the film. 31 March 1909, workers began laying the keel of the "unsinkable ship", as it was called. 88 years later, on the same day, workers were dismantling the last traces of her "twin" in the film,scrapping her parts as steel. As the author drives back to Los Angeles, past the San Onofre Nuclear Power Plant on the coastline of the world's earthquake capital, he wonders if this old ship has taught us one last lesson. The writer quotes a deleted line of dialogue from Cameron's screenplay in which the elder Ross warns Bullock that another iceberg awaits. Cameron has said that he sometimes wishes he lived in a world where the Titanic never became a famous ship. Nonetheless, it meant that they would never have been able to come together to create something so lavish, grand. Over the course of six months, thousands of artists and craftsmen resurrected the rusting colossus from its cold grave and made it new, with fragments of 1912 floating in reality like icebergs in the North Atlantic. How would they describe what they saw? It is a time of constant wonder ......
Almar Haflidason of the BBC wrote that "the critical knives were out long before James Cameron's Titanic was complete. spiralling costs that led to it Spiralling costs that led to it becoming the most expensive motion picture of the 20th Century, and a cast without any big stars seemed to doom the film before release. He added that "the sinking of the great ship is no secret, yet for many exceeded expectations in sheer scale and tragedy. "("Titanic (1997) Review")
The initially predicted failure, Titanic,achieved tremendous success at the box office. Ed W. Marsh documented the true story behind the success of 'Titanic,' leaving us with invaluable archival materials. These records showcase how James Cameron used groundbreaking film production techniques to ingeniously blend history with personal stories. Through the love story of the film's protagonists, audiences could deeply feel the emotional weight of historical events.The film successfully showcased the immense potential of big-budget and high-cost productions, and set the trend for historical and disaster films.
Works Cited
Haflidason, Almar. “BBC - Films - Review - Titanic.” Www.bbc.co.uk, 19 Dec. 2000, www.bbc.co.uk/films/2000/12/19/titanic_1997_review.shtml. Accessed 14 Dec. 2023.
Kirkland, Douglas, et al. “James Cameron’s Titanic.” Internet Archive, New York : HarperPerennial, 1997, archive.org/details/jamescameronstit00kirk. Accessed 15 Dec. 2023.
Creator
Ed W. Marsh (author)
Douglas Kirkland (photographer)
Front cover artwork by TWENTIETH CENTURY FOX
Back cover photographs:
(top)Douglas Kirkland
(center)Digital Domain
(bottom)Merie W. Wallace
Cover design by Joel Avirom and Jason Snyder
Douglas Kirkland (photographer)
Front cover artwork by TWENTIETH CENTURY FOX
Back cover photographs:
(top)Douglas Kirkland
(center)Digital Domain
(bottom)Merie W. Wallace
Cover design by Joel Avirom and Jason Snyder
Source
Publisher
Boxtree
Date
First published in 1997
This edition in 1998
This edition in 1998
Contributor
Zhiying Peng
Rights
© 1997 by PARAMOUNT PICTURES andTWENTIETH CENTURY FOX
All Rights Reserved.
All Rights Reserved.
Relation
Format
book
height 300mm
width 251mm
thickness 11mm
height 300mm
width 251mm
thickness 11mm
Language
English
Type
text
Identifier
ISBN 0-7522-2404-2
Text Item Type Metadata
Text
Behind the scenes production
Picture interpretation
Thank you list
Picture interpretation
Thank you list
Original Format
manuscript
photo
engineering drawing
portrait
Design manuscript
photo
engineering drawing
portrait
Design manuscript
Collection
Citation
Ed W. Marsh (author)
Douglas Kirkland (photographer)
Front cover artwork by TWENTIETH CENTURY FOX
Back cover photographs:
(top)Douglas Kirkland
(center)Digital Domain
(bottom)Merie W. Wallace
Cover design by Joel Avirom and Jason Snyder, “JAMES CAMERON'S TITANIC,” Archival Encounters: Digital Exhibitions form the Bill Douglas Cinema Museum, accessed January 15, 2025, https://humanities-research.exeter.ac.uk/archivalencounters/items/show/4.